Difference between revisions of "Neoimpressionism"
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(Created page with "Neoimpressionism <ref name="term_147467" /> <p> (n.) A theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of I...") |
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Neoimpressionism <ref name="term_147467" /> | |||
<p> (n.) A theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by [[George]] Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced by a variation in the proportionate quantity of the primary colors employed. This method is also known as Pointillism (stippling). </p> | Neoimpressionism <ref name="term_147467" /> | ||
==References == | <p> (n.) [[A]] theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by [[George]] Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced by a variation in the proportionate quantity of the primary colors employed. This method is also known as Pointillism (stippling). </p> | ||
== References == | |||
<references> | <references> | ||
<ref name="term_147467"> [https://bibleportal.com/dictionary/webster-s-dictionary/neoimpressionism Neoimpressionism from Webster's Dictionary]</ref> | <ref name="term_147467"> [https://bibleportal.com/dictionary/webster-s-dictionary/neoimpressionism Neoimpressionism from Webster's Dictionary]</ref> | ||
</references> | </references> | ||
Latest revision as of 06:30, 13 October 2021
Neoimpressionism [1]
(n.) A theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by George Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced by a variation in the proportionate quantity of the primary colors employed. This method is also known as Pointillism (stippling).
