Difference between revisions of "Music Drama"

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(Created page with "Music Drama <ref name="term_146352" /> <p> An opera in which the text and action are not interrupted by set arias, duets, etc., the music being determined throughout by drama...")
 
 
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Music Drama <ref name="term_146352" />  
 
Music Drama <ref name="term_146352" />
<p> An opera in which the text and action are not interrupted by set arias, duets, etc., the music being determined throughout by dramatic appropriateness; musical drama of this character, in general. It involves the use of a kind of melodious declamation, the development of leitmotif, great orchestral elaboration, and a fusion of poetry, music, action, and scene into an organic whole. The term is applied esp. to the later works of Wagner: "Tristan und Isolde," "Die Meistersinger," "Rheingold," "Walkure," "Siegfried," "Gotterdammerung," and "Parsifal." </p>
<p> An opera in which the text and action are not interrupted by set arias, duets, etc., the music being determined throughout by dramatic appropriateness; musical drama of this character, in general. It involves the use of a kind of melodious declamation, the development of leitmotif, great orchestral elaboration, and a fusion of poetry, music, action, and scene into an organic whole. The term is applied esp. to the later works of Wagner: "Tristan und Isolde," "Die Meistersinger," "Rheingold," "Walkure," "Siegfried," "Gotterdammerung," and "Parsifal." </p>
==References ==
 
== References ==
<references>
<references>
<ref name="term_146352"> [https://bibleportal.com/dictionary/webster-s-dictionary/music+drama Music Drama from Webster's Dictionary]</ref>
<ref name="term_146352"> [https://bibleportal.com/dictionary/webster-s-dictionary/music+drama Music Drama from Webster's Dictionary]</ref>
</references>
</references>

Latest revision as of 05:25, 13 October 2021

Music Drama [1]

An opera in which the text and action are not interrupted by set arias, duets, etc., the music being determined throughout by dramatic appropriateness; musical drama of this character, in general. It involves the use of a kind of melodious declamation, the development of leitmotif, great orchestral elaboration, and a fusion of poetry, music, action, and scene into an organic whole. The term is applied esp. to the later works of Wagner: "Tristan und Isolde," "Die Meistersinger," "Rheingold," "Walkure," "Siegfried," "Gotterdammerung," and "Parsifal."

References